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About this Book
Burning Darkness
Contents
Illustrations
Introduction
1. Rehearsing for Modernity in ¡Bienvenido, Mister Marshall!(Luis García Berlanga, 1952)
2. Existential Crossroads in Muerte de un ciclista( Juan Antonio Bardem, 1955)
3. Viridiana Coca-Cola(Luis Buñuel, 1961)
4. El espíritu de la colmena: Memory, Nostalgia, Trauma(Víctor Erice, 1973)
5. A Poetics of Splitting: Memory and Identity in La prima Angélica(Carlos Saura, 1974)
6. Ambiguous Disenchantment in El corazón del bosque(Manuel Gutiérrez Aragón, 1979)
7. Los paraísos perdidos: Cinema of Return and Repetition(Basilio Martín Patino, 1985)
8. (M)Othering Strategies in El pájaro de la felicidad(Pilar Miró, 1993)
9. Abjection, Trauma, and the Material Image: La madre muerta( Juanma Bajo Ulloa, 1993)
10. The Catalan Body Politic as Aired in La teta i la lluna(Bigas Luna, 1994)
11. Genre and Screen Violence: Revisiting Tesis(Alejandro Amenábar, 1995)
12. Conceptualizing “the Impact”in Los amantes del Círculo Polar( Julio Medem, 1998)
13. Immortal/Undead: The Body and the Transmission of Tradition in Amic/Amat(Ventura Pons, 1998)
14. Imitation of Life: Transsexuality and Transtextuality in Todo sobre mi madre(Pedro Almodóvar, 1999)
15. The Construction of the Cinematic Image: En construcción( José Luis Guerín, 2000)
Works Cited
Contributors
+
Index
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SUNY Press
Burning Darkness: A Half Century of Spanish Cinema
editor
Joan Ramon Resina
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SUNY Press
- 9780791478059
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Burning Darkness: A Half Century of Spanish Cinema